| GUINNESS
Asier Pérez González
Belfast Tavern, 15th of May 2002.
Coinciding with the opening of the exhibition Troubled Images, to mark
his participation in Front Line Compilation the artist Asier Pérez
González is making the following appeal to invite people to a get-together
in the Belfast Tavern bar in San Sebastián:
(Come and try a real Irish beer for free on the 15th May from 8.30 to
10.30 pm in Belfast Tavern. Juan de Bilbao 9, Donostia.
You have to say this sentence to the barman in your best Irish accent
in a very friendly manner):
"An ghfuil cead agam píonta guinness a fhail ledo thoil?"
"Go rabí mile maith agat?"
Phonetically
"On will keat agam pionta guinness a oll, le do jel?"
First they serve you and then you say thank you
"Go rau mile ma agat"
With this proposal Asier Pérez González aims to create a
cultural, artistic exchange with advertising based on the use of stereotypes
and clichés associated with a country or region. The idea is to
offer a free pint of Guinness to anyone who asks for it in Gaelic. This
triggers a cultural and economic exchange, by using pints of beer as an
object for this exchange.
The invitation has been given out through posters and stickers that are
distributed all over the city that use advertising formats similar to
2x1 special offers or Happy Hours. It's all about bringing people together
in a different place motivated by a particular interest. In this case,
drinking Guinness.
In this project Asier Pérez González reflects on the theme-park
world that we live in and on how the ideas of frontiers and culture are
changing very rapidly conditioned by the world-wide branding culture and
its interest in marketing the exotic. Just as a pizza captures the sense
of what Italy is, a pint of Guinness is the cultural ambassador of Ireland.
Pérez González has chosen a bar that is tailor-made for
this project, the Belfast Tavern, a bar located in the heart of the Old
Part of San Sebastián, which is meticulously decked out with all
kinds of motifs or referents to Northern Ireland. Posters, photographs
of the city, stickers, flags, etc
Using this scenario, Pérez
González tries to form connections around the nationalist identification
between Basque and Irish culture.
In his work Asier Pérez González constantly puts across
ideas about cultural exchanges, territoriality, globalisation and questions
connected to identity.
To do this, he uses mass communication channels, marketing and advertising
strategies, conceptual graphic design and aesthetic approaches to social
concerns. An example of this is the Kissarama project, which was an attempt
to beat the Guinness World record for couples kissing each other at the
same time and in the same place: (The International Language, Belfast
2001).
In Funky Baskenland (Casco, Utrecht, 2000), the artist put a Basque menu
in a Surinamese restaurant for a week, to stress the differences that
gastronomic traditions involve that are not only cultural but also social.
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| * Photo Pernan Goñi |
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